NasjonalitetUSA, Chile, Panama
Språkspansk (Morsmål), engelsk (flytende), engelsk - amerikansk (flytende), Engelsk - britisk (grunnleggende kunnskap), italiensk (grunnleggende kunnskap), tysk (grunnleggende kunnskap)
Født1982, Panama, Panama
Spillealder37 - 47
Størrelse185 cm
Etniske typerLatino / Spansktalende, Multietnisk
BostedBerlin - Berlin (Tyskland), Florida (USA), Berlin - Berlin (Tyskland)
BoligalternativSantiago (Chile), Panama (Panama), Munich - Bayern (Tyskland), Madrid - Madrid (Spania)
ArbeidstillatelseEuropean Union, United States
Alternative kontaktopplysninger:
Språk spansk (Morsmål), engelsk (flytende), engelsk - amerikansk (flytende), Engelsk - britisk (grunnleggende kunnskap), italiensk (grunnleggende kunnskap), tysk (grunnleggende kunnskap)
Dialekter Southern - American (Morsmålsdialekt), Standard American (flytende)
Aksenter karibisk (Morsmålsaksent), latinamerikansk (Morsmålsaksent), spansk (Morsmålsaksent), søramerikansk (Morsmålsaksent), engelsk (veldig bra), meksikansk (veldig bra), amerikansk (god), argentinsk (god)
Dans Bachata (veldig bra), Butoh (Japan) (veldig bra), Danseimprovisasjon (veldig bra), Danseteater (veldig bra), Dansetrening (veldig bra), Koreografi (veldig bra), Latinamerikansk dans (veldig bra), Merengue (veldig bra), Salsa (veldig bra), Afrikansk dans (moderne) (god), Afro (god), Ballett (god), Cha Cha Cha (god), Dancehall (god), Disco (god), Forró (god), Freestyle (god), Rumba (god), Tradisjonell afrikansk dans (god), Capoeira (grunnleggende kunnskap), Samba (grunnleggende kunnskap), Street dance (grunnleggende kunnskap), Swing-dans (grunnleggende kunnskap), Urban dans (grunnleggende kunnskap)
Stemmeleie/dubbestemme Baryton
Musikkinstrumenter Cajón (veldig bra), Afrikanske trommer (god), Fløyte (god), Slagverk (god), Bongotrommer (grunnleggende kunnskap), Charango (grunnleggende kunnskap), Gitar (grunnleggende kunnskap), Trommer (grunnleggende kunnskap)
Idrett Aerobic (veldig bra), Biljard (veldig bra), Karate (veldig bra), Svømming (veldig bra), Tai Chi (veldig bra), Tai Chi Chuan (veldig bra), Yoga (veldig bra), Basketball (god), Boksing (god), Bowling (god), Fekting (god), Jogging (god), Kampsport (god), Motorsykkel (god), Pilates (god), Rafting (god), Sykling (god), Terrengsykling (god), Vannski (god), Volleyball (god), Bordtennis (grunnleggende kunnskap), DL - Defense Lab / DNA Fight Science System (grunnleggende kunnskap), Fitness (grunnleggende kunnskap), Kajakk (grunnleggende kunnskap), Skøyter (grunnleggende kunnskap), Tennis (grunnleggende kunnskap), Vekter (grunnleggende kunnskap)
Førerkort Bil
Andre ferdigheter Danselærer
Spillealder 37 - 47
Størrelse 185 cm
Fysikk atletisk
Vekt 80 kg
Øyenfarge brun
Hårfarge brun
Frisyre middels lengde krøllete
Ansiktshår Skjegg
Tvilling Nei
Etniske typer Latino / Spansktalende, Multietnisk
Tatovering Ja, ikke synlig
Piercing Ingen
Briller Nei
Arr Ingen
Andres Garcia
Regi
Ensemblemedlem
The play was created by the El Artificio theater company, directed by Andrés García, with a script by Marcelo Sánchez. Through a staging characterized by powerful physical expression, live music, and an atmosphere rich in symbolism, *Brujos* explores the ongoing conflict between the divine and the pagan, innocence and temptation, drawing on myths and legends that form part of northern Chile’s cultural heritage.
Monolog
Drama, Monolog
Malucha Pinto
Regi
Hovedrolle
The play “My Grandfather Horacio” is a theatrical production and storytelling performance written and directed by Chilean actress Malucha Pinto. It tells the true story of Horacio Cepeda Marinkovic, a detainee who disappeared during the dictatorship, from the perspective of his granddaughter.
Malucha Pinto
Regi
Birolle
A journey through the memories of the neighborhoods, told in the form of a narrative, recounts a passionate love story between two young neighborhood leaders in mid-20th-century Chile: Manuela and Tomás. Throughout the story, the protagonists unravel the origins, contradictions, dreams, convictions, emotions, and family and community ties of a social group driven by the longing to own a home and the joy of living life to the fullest, determined to take control of their destiny no matter the cost
Malucha Pinto
Regi
Birolle
The play was conceived as a tribute to the renowned director Andrés Pérez Araya. It explores themes of inclusion, diversity, and disability, telling the story of a young man with a disability who grapples with an existential question about his life and the world around him.
Aliocha de la Sotta
Regi
Hovedrolle
It is a journey through Cervantes’s Quixotic universe. It is the story of a failed author, convinced that he was unable to express and convey what he intended in his works, and that his readers therefore received a message different from—and distorted compared to—what he intended. A monologue brimming with frustration, misunderstandings, misinterpretations, and a dialogue of the deaf, delivered by an ironic, sarcastic, and libertarian character teetering on the edge of delirium.
Eduardo Herrera
Regi
Juan José
Hovedrolle
The story takes place almost entirely in the backyard of a house, a space of freedom and confession for the characters. There, the three siblings (Juan José, José Luis, and María José) reminisce about the past, question their present, and look toward the future, grappling along the way with issues such as dementia, family roles, and personal crises.
Paulina García
Regi
Lina
Kontinuerlig hovedrolle
Four spinster sisters and a sick father. The two eldest, who design wedding dresses, have had to kill their fiancés for mysterious reasons. The youngest—who, they say, is a monster—howls and scratches at a door. It all begins when the third sister brings home her boyfriend, who, drawn by the stories he has heard, cannot resist the curiosity to see the monster. Like all the men who see the mantis, he is led astray into a mystical ecstasy; for this reason, his girlfriend must kill him as well.
Cristina Alcaide
Regi
Hovedrolle
La Rebelión de Nadie tells the story of a chinchinero who, caught up in a society in crisis, decides to make a radical change in his life that leads him to reflect on his own history and that of his country. Taking refuge in an abandoned trolley, he secretly rebels against a world that, like him, is destined to disappear.
Paulina García
Regi
Ivanov
Hovedrolle
“Near Moscow” is a notable Chilean play directed by actress Paulina García and written by playwright Pablo Paredes. The production blends and reinterprets the famous plays *Ivanov* and *Platonov* by Russian playwright Anton Chekhov, adapting them to contemporary social realities.
Raul Osorio
Regi
kontinuerlig rolle
This story by Nikolai Gogol tells the tale of the inhabitants of a Russian village, far from the big cities, who receive a telegram announcing the arrival of a central government official to conduct a thorough review of the village’s public affairs.
The inevitable arrival of the visitor immediately causes great unease among the local authorities, who fear that the fraud and corruption that are part of daily life there will be exposed.
Gonzalo Diaz
Regi
Armando
Birolle
Salvador is a young Chilean who moves to London to study English and travel around Europe. While in London, he stays with his aunt Maria, an immature and alcoholic 55 year old woman. When Salvador's parents face unexpected economic hardship, it threatens to cut short their son's London experience. Seduced by what the city has to offer, Salvador refuses to return to Chile. With the help of Maria and his other flatmates (Ivan, a Russian drug dealer and Yoshiko, his Japanese girlfriend), he manages
Kortfilm
Antonia Renard
Regi
Josué
Hovedrolle
Nicolás Acuña
Regi
Antonio
Episodisk rolle
Matthias Glasner
Regi
Aguti
Birolle
Just released from prison, a former CIA Agent tries to find her daughter and lover and has to fight drug bosses, manipulative spies and inner demons.
Kortfilm
Antonia Renard
Regi
Josué
Hovedrolle
Gonzalo Diaz
Regi
Armando
Birolle
Salvador is a young Chilean who moves to London to study English and travel around Europe. While in London, he stays with his aunt Maria, an immature and alcoholic 55 year old woman. When Salvador's parents face unexpected economic hardship, it threatens to cut short their son's London experience. Seduced by what the city has to offer, Salvador refuses to return to Chile. With the help of Maria and his other flatmates (Ivan, a Russian drug dealer and Yoshiko, his Japanese girlfriend), he manages
Monolog
Drama, Monolog
Malucha Pinto
Regi
Hovedrolle
The play “My Grandfather Horacio” is a theatrical production and storytelling performance written and directed by Chilean actress Malucha Pinto. It tells the true story of Horacio Cepeda Marinkovic, a detainee who disappeared during the dictatorship, from the perspective of his granddaughter.
Malucha Pinto
Regi
Birolle
A journey through the memories of the neighborhoods, told in the form of a narrative, recounts a passionate love story between two young neighborhood leaders in mid-20th-century Chile: Manuela and Tomás. Throughout the story, the protagonists unravel the origins, contradictions, dreams, convictions, emotions, and family and community ties of a social group driven by the longing to own a home and the joy of living life to the fullest, determined to take control of their destiny no matter the cost
Malucha Pinto
Regi
Birolle
The play was conceived as a tribute to the renowned director Andrés Pérez Araya. It explores themes of inclusion, diversity, and disability, telling the story of a young man with a disability who grapples with an existential question about his life and the world around him.
Aliocha de la Sotta
Regi
Hovedrolle
It is a journey through Cervantes’s Quixotic universe. It is the story of a failed author, convinced that he was unable to express and convey what he intended in his works, and that his readers therefore received a message different from—and distorted compared to—what he intended. A monologue brimming with frustration, misunderstandings, misinterpretations, and a dialogue of the deaf, delivered by an ironic, sarcastic, and libertarian character teetering on the edge of delirium.
Eduardo Herrera
Regi
Juan José
Hovedrolle
The story takes place almost entirely in the backyard of a house, a space of freedom and confession for the characters. There, the three siblings (Juan José, José Luis, and María José) reminisce about the past, question their present, and look toward the future, grappling along the way with issues such as dementia, family roles, and personal crises.
Paulina García
Regi
Lina
Kontinuerlig hovedrolle
Four spinster sisters and a sick father. The two eldest, who design wedding dresses, have had to kill their fiancés for mysterious reasons. The youngest—who, they say, is a monster—howls and scratches at a door. It all begins when the third sister brings home her boyfriend, who, drawn by the stories he has heard, cannot resist the curiosity to see the monster. Like all the men who see the mantis, he is led astray into a mystical ecstasy; for this reason, his girlfriend must kill him as well.
Cristina Alcaide
Regi
Hovedrolle
La Rebelión de Nadie tells the story of a chinchinero who, caught up in a society in crisis, decides to make a radical change in his life that leads him to reflect on his own history and that of his country. Taking refuge in an abandoned trolley, he secretly rebels against a world that, like him, is destined to disappear.
Paulina García
Regi
Ivanov
Hovedrolle
“Near Moscow” is a notable Chilean play directed by actress Paulina García and written by playwright Pablo Paredes. The production blends and reinterprets the famous plays *Ivanov* and *Platonov* by Russian playwright Anton Chekhov, adapting them to contemporary social realities.
Raul Osorio
Regi
kontinuerlig rolle
This story by Nikolai Gogol tells the tale of the inhabitants of a Russian village, far from the big cities, who receive a telegram announcing the arrival of a central government official to conduct a thorough review of the village’s public affairs.
The inevitable arrival of the visitor immediately causes great unease among the local authorities, who fear that the fraud and corruption that are part of daily life there will be exposed.
Andres Garcia
Regi
Ensemblemedlem
The play was created by the El Artificio theater company, directed by Andrés García, with a script by Marcelo Sánchez. Through a staging characterized by powerful physical expression, live music, and an atmosphere rich in symbolism, *Brujos* explores the ongoing conflict between the divine and the pagan, innocence and temptation, drawing on myths and legends that form part of northern Chile’s cultural heritage.